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Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Thursday, 1 September 2016

Spike Jonze for Kenzo

The world is going crazy for this Spike Jonze directed perfume ad. And why not? It's beautiful, irreverent, weird and good fun. Perfume ads can be the most pretentious type of advertising. So t's really great to see someone making something that people actually want to watch instead.

This one reminds me of the Prada Candy adverts, directed by Wes Anderson and Roman Coppola. Here's my link to those ads: Adverts like Soap Operas

If you haven't already seen Spike's masterpiece here it is:

..

Wednesday, 15 October 2014

Dance magic lights dance

Love this beautiful slightly haunting short film made by Cirque du Soleil, ETH Zurich and Verity Studios. The film was made by hiding drones indie lampshades so no CGI was employed. Those lampshades are actually dancing!

I love how cutting edge technology contrasts with old fashioned music, craft and something as everyday and normal as a lamp shade.

Thanks to my friend Paula for this one.


SPARKED: Behind the Technology: http://youtu.be/7YqUocVcyrE

Cirque du Soleil: http://www.cirquedusoleil.com/
ETH Zurich: http://www.idsc.ethz.ch/Research_DAndrea
Verity Studios: http://www.veritystudios.com/

Wednesday, 2 January 2013

My 50 Top films

In the lull before Christmas my fellow copywriters and I put together lists of our top 25 books to make into a poster. It's quite a fun exercise if you are a bookworm like me - picking out the ones you love the most. 

Take a look at my list on my other blog The Copywriter's Bookshelf.

We then challenged each other to think of our top films. So here is my top 50 with directors and dates. Starting with my favourite of all time...oooooo David Bowie in those tight leggings and sexy eyeliner.....mmmmmmm. 


1. The Labyrinth, Jim Henderson (1986)
2. The Muppet Christmas Carol, Jim Henderson (1992)
3. Monster, Patty Jenkins (2003)
4. Moulin Rouge, Baz Luhrmann (2001)
5. Some Like it Hot, Billy Wilder (1959)
6.  Ferris Bueller’s Day off, John Hughes, (1986)
7.  The Shining, Stanley Kubrick, (1980)
8. The Dark Knight, Christopher Nolan (2007)
9.  Eternal Sunshine of the Spotless Mind, Michael Gondry (2005)
10. Edward Sissorhands, Tim Burton (1990)
11. Lord of the Rings trilogy, Peter Jackson (2002)
12. Harry Potter franchise, Chris Columbus/Alfonso Cuaron/ Mike Newell/David Yates (2001-11)
13. This is Spinal Tap, Rob Reiner (1984)
14. Shindler’s List, Steven Spielberg (1993)
15. A Clockwork Orange, Stanley Kubrick (1971)
16. Goodfellas, Martin Scorsese (1990)
17. Fargo, Joel and Ethan Coen (1996)
18. Walk the Line, James mangold (2005)
19. It’s a Wonderful Life, Frank Capra (1946)
20. Mama Mia, Phillida Lloyd (2008)
21. The Royal Tenenbaums, wes Anderson (2001)
22. Clueless, Amy Heckerling (1995)
23. Se7en, David Fincher (1995)
24.  The Silence of the Lambs, Jonathan Demme (1995)
25.  Anchorman, Adam McKay (2004)
26.  The Lion King, Disney (1994)
27.  Beauty and the Beast, Disney (1991)
28. Interview with a vampire, Neil Jordan (1994)
29. Sin City, Robert Rodrigez, Frank Miller (2005)
30. Dodgeball, Rawson Marshall Thurber (2004)
31. Romeo and Juliette, Baz Luhrmann (1996)
32. Kickass, Matthew Vaughn (2010)
33.  The Sound of Music, Robert Wise (1965)
34. Pirates of the Caribbean, Gore Verbinski (2003)
35.  Juno, Jason Reitman (2007)
36. Little Miss Sunshine, Jonathan Dayton (2006)
37. American Psycho, Mary Harron (2000)
38. Kill Bill1&2, Quentin Tarantino (2003-4)
39. Pretty Woman, Garry Marshall (1990)
40. The Sixth Sense, Shyamalan (1999)
41. Slumdog Millionaire, Danny Boyle (2008)
42.  Grease, Randal Kleiser (1978)
43. The Nightmare Before Christmas, Henry Selick (1993)
44. Sweeney Todd, Tim Burton (2007)
45. An Education, Lone Scherfig (2009)
46. Mean Girls, Mark Waters (2004)
47. Shaun of the Dead, Edgar Wright (2004)
48. Titus Andronicus, Julie Taymor (1999)
49.  The Full Monty, Peter Cattaneo (1997)
50. Who Framed Roger Rabbit, Robert Zemeckis (1988)


So that's it. What do you think? What makes it into your list and what is your favourite of all time? 

Friday, 12 October 2012

Seven Psychopaths vs Seven Psychocats

This film looks funny



This film looks funnier



You know why cats are always the bad guys? Coz they're just smarter than dogs and they are deadly. My kitten Ziggy slashed my sister's hand this week and my other kitten Bailey slashed my thigh  a few weeks ago. Both bled a lot. Look they enjoyed it - that's why they are high-fiving!



Think they can get around me by being super cute!....oh ok then maybe I'll give them some more biscuits.

Tuesday, 24 July 2012

Batman - a logo's story

There have been many iterations of Batman - through the comics, the animations, the comedic series and the films. He has owned different bat mobiles, faced different nemesis's, he has been lumbered with dodgy side kicks. This animation shows how every Batman iteration has changed the design of Batman's symbol - something which you might think has stayed constant. Great track too. Thanks to my colleague, the lovely Pauline, for this one.

Friday, 1 June 2012

Therapy a la Prada

It's always nice when advertising doesn't feel like advertising. In both agencies that I have worked for this was always the big aim. The biggest criticism was always "It feel like an advert" - a dirty word within the world of advertising it seems. Selly selly? Well, its just not cool. So we try to create experiences, bits of entertainment, dress things up as short films, music videos, pieces of journalism and games.

In Prada's new advert premiered at the Cannes film festival they have achieved this aim. This is advertising alright, but it is niftily disguised as a short art film - with Helena Bonham Carter (LOVE) and Ben Kingsley. It's also directed by Roman Polanski.

The product placement is subtle - we see Helena kick off her Prada shoes. And it seems Prada has a sense of humour. Helena plays a spoilt rich daddy's girl wearing Prada. She's no waif-like angle lit by sun flares on a beach. This is no boring perfume advert. Instead we have a psychotherapist's room and Kingsley who cannot resist the lure of trying a dramatic glamourous pose in a woman's fur coat.

Funny that Prada chose the fur coat to play centre stage - that's not gonna make Peta pleased.
Nice job though guys.

Tuesday, 1 May 2012

Michel Gondry's cars

For his new film Moon Indigo, based on the French novel Ã‰cume des Jours (Froth on the Daydream) by Boris Vian, Michel Gondry has created some really weird looking back-to-front, Frankenstein vintage-looking cars. 


The Citroen GSA



Fiat Uno


Peugeot 205


Peugeot 306


Peugeot 404


Renault 21


Renault 4


Peugeot 104


Renault 18


The story of the film goes like this: Audrey Tautou plays a young wife who falls ill on her honeymoon. A water lilly enters her lung and the only way to cure it is to surround her with fresh flowers, which takes a toll on her husband’s bank account. My friend Thomas who is like, totally French, tells me the water lilly is a symbol for cancer and it is a story of true love. A mouse commits suicide at the end apparently. Ah those Frenchies. 


Thanks to http://www.blenheimgang.com/gondry-spotting/ for the pics.

Monday, 23 April 2012

Robert Mckee's Story Course

For the last 4 days I have been locked up in a big white box with 100 other writers listening to the famous and revered Robert McKee telling us how to write stories. It was intense and tiring. But it was amazing.


Robert McKee is 71 years old and he is one of the most interesting people I have ever had the pleasure of listening to. What I took from his lectures wasn't just how stories are put together, or how Hollywood works and the films I love are structured, but also a greater understanding of what makes people act the way they do. I learnt about human nature.

Robert McKee sees humans as things that must be continually in flux. Like people themselves, stories are all about change. They are about value changes - events that occur to change people's situations - for the negative and the positive. If a story doesn't contain a major change in a value (love, honesty, freedom) then it simply is no story.

And why do people need stories? Why do they need negative stories? Why do they want to cry? Why is Literature something we study and revere?

Well McKee has an answer for that too. Stories allow us to experience life in a vivid way. Think about your daly life. How much of it do you spend of it locked up inside your own head? How much of it do you spend experiencing extremes of emotion - love, hate, triumph? How many times in a week to you look at something beautiful and feel the real pleasure of being alive? When you go to the cinema all your attention is on the screen - you get to stop thinking about all the things you have to do and instead you get to really feel, really see.

Stories are a metaphor for life. Characters are a metaphor for you. The reason why you feel moved by a story is that you have empathised with the character. You see yourself in them - a part of yourself - be it the dark parts you repress or the best parts. So when a character suffers you suffer too - and you experience life. McKee suggested that those people who say "I don't want to see a sad film, I have too many problems in my own life" or those people who say "why do you want to read books that make you cry?" , are those people who are rejecting life - they are emotional cowards who reject flux and wish to live life on a flat emotional plain. As someone who constantly cries when reading books and cries in films - I like this idea. I feel courageous.

Apparently it was documented that Holocaust survivors sought out tragic films. They weren't trying to ignore the existence of their sadness. They were seeking to feel that they weren't alone. That what they experienced was human. Human nature, McKee tells us is half good, half bad. This is the reason why so many bad things happen in the world.

Robert Mckee tells us that it is the job of the writer to know human nature better than any  body. This is the only way to create beautifully 3 dimensional characters. And none knew human nature like Shakespeare. That is why Shakespeare is timeless.

As a English Literature student you are often faced with the question - what was the worth of your course? It's not practical like Maths, you can't use it to build a motorway or improve planes or defend victims or cook great dinners. It is all in the head. Well, Robert McKee gave me the best answer I have ever got. Stories, for all the reasons I've talked about above are needed by people. The reason why every civilisation has a form of storytelling is that stories help us to work out who we are, who others are, to deal with our emotions, to feel connected to the world and to live fully. And so I would say that my course, Literature, is actually one of the most necessary of all.



Wednesday, 22 February 2012

Stolen from the boss man

So I found this animation on my boss's blog. Thought it was pretty cool and stole it. Sorry to everyone who reads his too. Anyway it's the alphabet in Movies. See how many you recognise.

ABCinema from Evan Seitz on Vimeo.


Anyways I now am going to begin my LA expenses...fun times people.

Wednesday, 30 March 2011

Angry Birds - THE MOVIE!!!

So I have a confession to make. I'm posting stuff that Thomas, my work friend, is sending me. Guilty! But they are too good not to share. So here is the Trailer for Angry Birds the movie. Hilarious stuff.

Tuesday, 18 May 2010

Terrorism - it's a funny business.

Here is the trailer for a new British movie called Three Lions. It's about a group of terrorists who are pretty rubbish. There is a bit of debate as to whether it is right to turn terrorism into the subject of humour but that's what us Brits do. If in doubt - turn it all into a joke. I actually think it's a great way of undermining terrorist groups - the more we take the piss - the more stupid they look. Just think of Craig David...now hold on...I'm actually getting to a point here...if we can ruin someone's career in Britain by taking the piss out of them..then why can't we spoil the career of a suicide bomber with humour too? Someone who dies for the cause shouldn't be taken seriously. They should be derided. Mocked. So that is why I will be laughing out loud at this film in the cinema. Anyway enjoy!

Wednesday, 14 April 2010

Emotional short by Spike Jonze



Watch Spike Jonze's new short film - a love story between two robots. It's really beautiful, and I love the way it's set up too.

http://www.imheremovie.com/#

Thursday, 17 December 2009

Alice in Wonderland trailer!!!!!!!!!!!

Can't tell you how excited I am about this film. Especially after seeing the Tim Burton exhibition in New York.

http://www.youtube.com/watch?v=pMiCJefpn9Q

Wednesday, 16 December 2009

Surrogates

This is an interesting view of the future. The film takes the online world to the conclusion that one day we will live our entire lives remotely, through surrogate humanoid bodies. These bodies would mean that we never had to actually walk the dangerous streets. Considering some people prefer to live their lives through Second Life already, the premise of the film is not as crazy as it sounds. Though surrogates fat cat-piss men could be buff rockstars, dumpy plain women could be sex sirens. Here's the trailer. Reminds me of the Matrix, only more believable and a little less hard to grasp.


Friday, 11 December 2009

Finding my heart (and Tim Burton's) at the MoMA

Thursday I'd lost that loving feeling for NYC. The wind was so cold it felt like it was driving icicles into my flesh. So I headed into town to the Museum of Modern Art where I knew I would be out of the cold. The special exhibition was Tim Burton. His sketches right back to when he was at school were on display. one looked amazingly like Helena Bonham Carter. I think he found a wife that looked like his drawings - all heart shaped faces and crazy hair. Tim Burton seems to have always been gothic in his imaginings. He imagines monsters and macarbre characters like blue babies with nails in their eyes, draculas and corpses and dragons and characatures of bankers with hugely swollen bellies and ridiculously skinny legs. His way of drawing is gorgeous characterful - always the long spindly bits and the shadows under eyes and plenty of mournful looking faces. In the exhibition you could also see models from films like the Corps Bride and Nightmare Before Christmas. There was the cloak of the headless horseman from Sleepy Hollow, Edward Sissorhand's outfit, Sweeney Todd's barber blades and more.Tim Burton says that he was lucky enough to have a teacher who didn't tell him how to draw but more let him explore his own style and his own strength. This certainly shows in his work which is highly original in style and subject. his is an imagination that has never been checked. I wish my teachers had been this visionary. When I was small I drew small, never taking up the whole page. That was drummed out of me. Should it have been?

Other parts of the MoMA were just as inspirational. Art as free, modern, experimental. I even saw collages like the one that I did when I was 15 and hung in the guest room until one day I decided it was probably rubbish and took it down. How lovely that the MoMa makes you feel like you could make art, that there is room for your imagination there too. Everyone's art is worth something. That's what I came out thinking. If you want to see some of Tim Burton's work follow the link below.

http://www.moma.org/interactives/exhibitions/2009/timburton/

In the evening I met up with the Finance boys and my NY BF (who I have missed) and we went to a ridiculously expensive steak restaurant called Wolfgang's Steak Place http://wolfgangssteakhouse.com/ . When the Steak came it was as if they had put a whole cow on the table and it was beautifully cooked too. The evening was lovely apart from when Fiance's boss decided to call me a chav and said he could imagine me wearing a pink tracksuit with a sparkly thong. I decided to get my own back by telling his wife (NY BF) that her husband was imagining me in a thong. HA! Don't mess with me Boss boy or I'll mess with your marriage.

Afterwards we went to a bar in a garage called Smith and Mills. It really was! It was very cute and the toilet had a fold up sink! Never seen that before. In honour of a real NYC night I ordered a Manhattan. It was very strong.

Thursday, 22 October 2009

Happy Things

This week and the end of last week has been super stressful and lots of horrible things have happened. So I am gonna write about the things that have cheered me up.

1) UP - by Disney Pixar My favourite line of the film was the little dog "I was hiding under your porch because I love you". Brilliant. Although the first 15 mins had me sobbing so loud the whole row at the cinema could hear me. I'm not good with moments like that. I also think its nice to give old people a starring role in a film. I think it promotes respect. I give "Up" a 10 out of 10. I loved it. especially great in 3D at the Imax.

2) My wonderful Dad who is coming down to London to sort out my life and buy me Christmas Pressies from Spitalfields Market this weekend. Ohhhh could I be more excited?

3) I am going to the Maldives in November and even getting a sea plane! I would have been happy in the speed boat but boyfriend is paying.

4) X Factor. Could John and Edward have been funnier on Saturday night? No. They are TV Gold. Their take of Britney Spears's "Oops I did it again" was awful and wonderful in the same breath. Clad in red PVC suits they even did the camp exchange about the necklace in Titanic. Watching them is like watching the teachers in my school in Wales do the Christmas panto. As one of the X Factor judges said; "It's not right but it's ok". They can't sing, they can't dance. They look like they have forgotten the moves most of the time, either that or they just have no rhythm and timing issues. But boy were they the highlight of my Saturday. I enjoyed them even more than my Lamb Rogan Josh and Keema nan.

Unfortunately all the videos on youtube have embedding disabled (wonder why) but here's the link if you want to experience the terrible brilliance of these boys:
http://www.youtube.com/watch?v=KERNNdgzRhQ

Wednesday, 2 September 2009

Dorian Gray: the premiere

After blogging about my excitement about the release of the new adaptation of Dorian Gray for the cinema screens my friend Lisa invited me to go to the premiere with her! It was last Wednesday in Leicester Square's Odeon (think it was wednesday?). I got very excited thinking that I might be able to meet Colin Firth. Then he might fall in love with me. Of course I would have to turn him down because my heart belongs to another (my boyfriend reads this blog). Anyway no such luck. We did however get a special premiere ticket and a booklet of film information. The film wasn't introduced by the director but by a lady who warned us that cameras were watching us and if we tried any funny business then we would be shot in the eyeballs with a semi automatic shotgun. Well almost.

The film was more like a BBC production. I think it would have made a very good two part drama. As a film however I thought it was somewhat lacking. Dorian could have been far more shocking. Far more evil and his sexual perversions far more wicked. He just looked like a randy bugger most of the time. The unveiling of the portrait, the moment of horror, was also slightly disappointing for an audience hardened to Hollywood horror. Saying that both Lisa and I couldn't look at certain points and they did build up to a good finale. The acting was good. I particularly liked Colin Firth (surprise surprise) as Harry. Ben Barnes did a good job of Dorian and the supporting cast worked well. We did (being shallow girls) note that none of the women Dorian seduced were particularly pretty. You'd think he'd have pulled a real fitty at least once wouldn't you.

All in all I'd give it an 8 out of 10. An extra point for being a British film with home grown talent.